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London Life, 1965-1966

A picture of Geraldine Chaplin, Actress, with pink letters that read 'london life'

The task of this magazine is to reflect all aspects of the life of London

The swinging sixties came alive as a period of prosperity a time when anything and everything seemed possible
Annie Tyrell, Director of Design at John Marks from 1963 to 1982

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Discover the social and cultural transformation of Britain in the "Swinging Sixties"

Young adults in London's Carnaby Street, 1966

Launched in 1965, London Life was one of several titles owned by The Illustrated London News (ILN). A reincarnation of The Tatler (1901-1965) – which, from its inception, had catered primarily to a wealthy and conservative readership – London Life represented a radical departure from its predecessor. This new magazine endeavored to "reflect all aspects of the life of London" and, throughout its brief existence, it successfully conveyed the spirit of the "Swinging Sixties" in the world’s "capital of cool". Encompassing nearly 5,000 images, this collection contains all 63 issues of London Life, published between October 1965 and December of the following year. 

London Life covers a wide range of topics, from music and film to sexuality and the thriving nightlife of London’s West End. At the same time, it captures the increasingly cosmopolitan nature of British society, documenting the emergence of a more diverse media landscape and audience. Featuring interviews with cultural icons such as Paul McCartney and Mick Jagger, as well as contributions from rising stars such as supermodel Jean Shrimpton and entertainer Anita Harris, London Life remains emblematic of 1960s counterculture. Accordingly, this collection contains essential material for researchers and students of cultural history and, specifically, of Britain’s cultural revolution.

Contents

London Life, 1965-1966...

The task of this magazine is to reflect all aspects of the life of London

Discover 
Cartoon of performers at the 1965 Royal Varieties show, including: Spike Milligan, Peter Sellers, Shirley Bassey, Jack Benny, Dusty Springfield, Johnny Hallyday, Sylvie Vartan, Peter Cook, and Dudley Moore

Highlights

Top section of an article titled Girl Talk, featuring a photograph of a woman resting her head on her hand, leaning on a table.

Licensed to access "Girl Talk"

16th October 1965: 

Images 47-48 of this issue feature an interview between writer Nell Dunn (author of Up the Junction and Poor Cow) and Kathy Collier (a young factory-worker), they delve into the lived experiences of working-class women in London, addressing themes such as work, mental health, teenage pregnancy, marriage, and homosexuality.

Colour coded map of London's streets.

Licensed to access "Motorists’ Entertainment Guide"

9th October 1965: 

Illustrating the diversity of London’s restaurant scene, and the variety of nightlife available to the more affluent Londoners, this guide (images 46-48) also reveals the increasing presence of cars on the capital’s streets in the mid-1960s.

Section of a page listing various places to visit in London suitable for children and families, such as Public Libraries and various museums.

Licensed to access "What To Do with a Child at Christmas"

18th December 1965: 

In keeping with its desire to "reflect all aspects of the life of London", the magazine not only produced content for single adults, but also for those with families. In this article (images 28-29), London Life gives parents some useful tips about how to create the perfect Christmas experience for their children.

Section of an article titled A doll called Samantha, featuring a large photograph of the doll.

Licensed to access "A Doll Called Samantha"

12th November 1966: 

Contributors to London Life regularly portrayed the hedonism of the city’s club scene. Encapsulating some of the key themes of 1960s counterculture (psychedelia, sex, and science fiction), this article (image 17) discusses the capital’s "first psychedelic club" which, its owner hoped, would replicate the experience of taking hallucinogenic drugs.

Insights

  • In Britain, the 1960s were an era of profound social and cultural transformation. The decade saw significant changes in gender relations, civil rights, and fashion, as well as attitudes towards sex, radical politics, and the role of the media in daily life.
  • Under the editorship of Mark Boxer (cartoonist and founding editor of The Sunday Times), London Life encapsulated both the fashionable and the bohemian of 1960s London. At the London Life party in May 1966, guests included well-known celebrities such as actor Jane Asher, Rolling Stones front-man Mick Jagger, and artist David Hockney.

  • By the mid-twentieth century, Britain was becoming a more cosmopolitan country. London Life reflects the increasingly multicultural nature of British society at this time, not only revealing the diversity of the capital’s restaurant scene, but also highlighting the formation of a new media audience, with references to TV and radio stations aimed explicitly at South Asian viewers and listeners.
  • With the rise of the consumer society, advertising not only became more prominent, but also more creative. This collection provides valuable insights into the "Ad Revolution" of the 1960s, featuring iconic adverts for major brands such as Chanel, Cartier, Harrods, Mercedes, and Sony, as well as the tobacco and alcohol industries.

  • Designer Anne Tyrell suggests that, in the 1960s, "the atmosphere of the period was faithfully reflected in fashion, epitomising the very spirit of the age". Accordingly, London Life dutifully kept its readership up-to-date with the latest trends, and supermodel Jean Shrimpton – an exemplar of "Swinging London" – contributed to various issues of the magazine, writing about both fashion and food.

  • With articles covering a variety of social issues, such as urban poverty, teenage pregnancy, and mental health, London Life not only depicts the glamour of the 1960s: it also reveals the inequality and discrimination that persisted in British society. For example, in an article on 9th October 1965, novelist V. S. Naipaul described the exclusionary aspects of the new "capital of cool", and the oppressive qualities of the modern city.

Front Cover of The Tatler, 1959

Licensed to access The Tatler, 1901-1965

1901   1965
Britannia and Eve Front Cover, 1956. On the left is a woman in profile looking to the right. It reads Britannia Eve.

Licensed to access Britannia and Eve, 1926-1957

1929   1957
Illustrations of British High Society from The Sketch, 1965

Licensed to access The Sketch, 1893-1958

1893   1959
An illustration of a woman laid in a hammock reading a newspaper. Underneath her sit a dog and a cat. The top left of the image reads The Graphic in white letters.

Licensed to access The Graphic, 1869-1932

1869   1932
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