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Illustrated London News, 1842–2003 Preview

College of Illustrated London News Covers

Over 150 years of influential illustrated news

Never a simple “reflection” of its times or of public attitudes, the paper was deeply involved in shaping both
Patrick Leary, “A Brief History of the Illustrated London News”, Illustrated London News Historical Archive (2011)

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Explore one of the most eye-catching and pioneering ventures in British print media.

Illustrated London News Printing Shop Illustration
Illustrated London News Cover for the special issue on the Festival of Britain

This fascinating and visually stunning collection brings together the extensive back catalogue of one of the most influential and successful publications in the history of British print media: The Illustrated London News (ILN), founded in 1842 by Herbert Ingram. Whilst working as a newsagent and printer two consumer trends caught his attention: that papers featuring woodcut engraved illustrations tended to sell better and that people frequently requested “London news”, as opposed to a specific publication. Developments in printing technology, such as faster rotary presses, helped Ingram translate his vision of “illustrated news” into a reality.

This vision proved timely and lucrative. The first edition of the ILN, which appeared on 14 May 1842, sold 26,000 copies. It cost sixpence, featured 32 illustrations, and reported upon the “Great Fire of Hamburg”, as well as the young Queen Victoria’s first “Masquerade Ball”. In fact, celebration of the monarchy emerged as a popular theme throughout the paper’s content. By 1855, 130,000 copies were being sold weekly, a figure that had more than doubled by the early 1860s. The paper targeted a broadly middle class readership, with Ingram’s embrace of liberalism ensuring that it backed reformist agendas, such as the plight of industrial workers and the need for better public amenities and urban infrastructure. Yet because Ingram embodied the Victorian ideal of the “self-made man”, the ILN was equally capable of sympathising with big business. It likewise espoused Britain’s imperial project.

Due to its phenomenal success, the ILN eventually faced serious competition from The Graphic, founded in 1869 by William Luson Thomas, who had honed his skills as an engraver for the ILN. During the twentieth century, the ILN shed much of its early visual style as it embraced photography. Over time, it acquired a number of its rival publications, including The Graphic, and launched several successful papers of its own, such as The Illustrated War News.  

The extensive back catalogues of the ILN’s nine so-called “sister” titles are already available to explore on BOA’s digital archive. They will soon be joined by the ILN itself. These impressive resources will enable students, researchers, and educators to investigate the history of modern Britain, and especially the history of British print journalism, in remarkable detail. Perhaps most importantly, the ILN and its related publications facilitate examination of an almost endless variety of historical events, concepts, and themes, British and otherwise


Contents

Illustrated London News, 1842–2003...

Over 150 years of influential illustrated news

Discover 
Black and white illustration of women working at a printing press

Highlights

An illustration of a man in ragged clothes. He stands with his shoulders hunched, with his hat upturned in his hands

Licensed to access 15 December 1849—Conditions of Ireland

Between 1845 and 1852, Ireland’s population experienced starvation, disease, poverty, and mass emigration as a result of widespread potato blight. Published in December 1849, this article (image 9) captured the devastating consequences of the “Great Famine”. The depiction of a ghost village is a powerful reminder of the countless evictions that occurred across the island, as people struggled to pay rents and landlords sought to reduce their financial burdens.

An illustration of various scenes from the Great Exhibition. They are illustrated in three long rows across the pages.

Licensed to access 6 March 1852—The Great Exhibition

Organised by Prince Albert, and staged in the Crystal Palace—which was purpose-built for the occasion—the Great Exhibition of 1851 showcased Britain’s industrial capacity and imperial reach. The ILN was instrumental in documenting this quintessentially Victorian spectacle for the British public, publishing intricate panoramas of the exhibition that detailed the exotic displays from across the globe. This illustration (image 20) was based on daguerreotypes by Richard Beard. It was the last in the ILN’s series on the exhibition.

A man, three women, and a child sit in a carriage, all looking up at three advertisements on the wall behind them.

Licensed to access 25 April 1896—London Underground and Advertisements

Published in April 1896, this illustration (image 26) spotlighted a key technological innovation on London’s Underground system—the advent of onboard station indicators. Yet the article also captured the associated advancement of consumer culture in Britain—advertisements for well-known brands, such as Bovril and Colman’s, are conspicuous. Driven by rapid industrialisation and the rise of an aspirational middle class, the Victorian era witnessed a significant expansion in commercial advertising.

A photograph taken from over the shoulders of two policemen. A crowd of people march towards them holding signs. The two notable signs read We Back Powell & Britain and Freedom of Speech.

Licensed to access 4 May 1968—Britain Divided

During the 1960s, the ILN frequently reported upon national debates surrounding immigration. Titled “Britain Divided”, this article (image 7), which was published in early May 1968, spotlighted the social polarisation sparked by the Conservative MP, Enoch Powell. He had delivered his controversial “Rivers of Blood” speech in Birmingham a few days previously.

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A front cover of The Sphere showing four women in brown coats. The woman in the foreground is wearing a red hat. The title The Sphere is in the foreground in white letters with a red outline.

Licensed to access The Sphere, 1900–1964

1900   1964
Illustrated London News logo
An illustration of a woman laid in a hammock reading a newspaper. Underneath her sit a dog and a cat. The top left of the image reads The Graphic in white letters.

Licensed to access The Graphic, 1869–1932

1869   1932
Illustrated London News logo
Sporting photographs of horse racing, and rugby under the title ‘The Illustrated Sporting and Dramatic News’, 1939

Licensed to access The Illustrated Sporting and Dramatic News, 1874–1970

1874   1970
Illustrated London News logo
Front Cover of The Tatler, 1959

Licensed to access The Tatler, 1901–1965

1901   1965
Illustrated London News logo
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